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Biography


Recent prizewinners at the 2025 Wigmore Hall Quartet Competition in London, the Terra String Quartet is a vibrant young international ensemble based in New York City. They are composed of graduates of The Juilliard School, The New England Conservatory, Harvard University, and the Curtis Institute of Music. Known for their sincere storytelling, commitment to artistic excellence, and versatile approach to repertoire, TSQ strives to foster conversation and genuine human connection through their performances and pedagogy.

TSQ is the 2024-25 fellowship Ensemble-in-Residence at the Yale School of Music, where they coach undergraduate chamber group ensembles, as well the 2024–25 Ernst Stiefel String Quartet-in-Residence at the Caramoor Center for Music and the Arts. They have performed at numerous festivals and venues across the world, with recent concerts at Capital Region Classical, Rockport Music, Guarneri Hall, Chamber Music Raleigh, Randolph College, and the Emilia-Romagna Festival in Italy. TSQ is invested in education and community work, having been the ‘23-24 Project Music Heals Us Arts Leadership Ensemble, and they were also chosen as the inaugural Four Seasons Chamber Music Festival’s Professional Fellowship Quartet at East Carolina University. Their mentors and coaches include the members of the Brentano Quartet, Ara Gregorian, Hye-Jin Kim, and Marcy Rosen.

TSQ is the recipient of the Silver medal at the 2025 Wigmore Hall Quartet Competition and the 2023 Melbourne International Chamber Music Competition, Bronze medal at the 2023 Osaka International Chamber Music Competition, and the Grand Prize and Gold Medal at the 2022 Fischoff National Chamber Music Competition. They were also awarded the Christine and David Anderson Career Development Prize at the 2022 Banff International String Quartet Competition. In their spare time, they enjoy playing Mahjong and poker together.

What People Are Saying


“These young musicians showed remarkable maturity”

— M.L. Rantala, Hyde Park Herald

“The Terra Quartet’s [Haydn] Op.77 No.1 was elegant and perfectly paced, the hushed opening of the Adagio near perfect.”

— Lawrence Vittes, Seen and Heard International